Throughout the years, whenever I would notice David Chase in the writing credits for a Sopranos episode, I knew that I was in for a great episode, and this one is no exception. This episode marks the first time that John Patterson would direct a Sopranos season finale. He would continue to direct each season finale of The Sopranos up until the 5th season (Episode 65 – “All Due Respect”).
Category: Season 1
The title of this episode features one of those great play on words that The Soprano’s writers were always throwing at us. When you look at the title, “A Hit Is A Hit”, you automatically think that a lot of people are probably going to get whacked in this episode, but you’re wrong. The title is referring to hit songs in the music industry. While I’m on the subject of The Soprano’s episode titles, I want to state that I really love how the writers named the titles. Most of the episode titles are spoken at least once during an episode, not all of the time, but most of the time.
“Boca” opens up with a scene in a cemetery. AJ Soprano is running around with wild dogs as Livia & Junior Soprano visit Johnny Boy’s grave. The tombstone reads “John Francis Soprano : In memory of a loving husband and father”. I’m surprised Livia didn’t embed the words “he was an angel” somewhere on Johnny Boy’s tombstone.
Welcome to the dream world of Christopher Moltisanti. “The Legend of Tennessee Moltisanti” opens up with Christopher experiencing a nightmare regarding the first man that he whacked, known as Emil Kolar (or as Christopher calls him, “Email Kolar”). The unsanctioned hit took place in the first episode of The Sopranos, at Satriale’s. Satriale’s also appears to be the setting for Christopher’s nightmare. This nightmare sequence was done extremely well, considering it was shot back in 1998. I love the scenery and colors used when Emil Kolar first appears in Christopher’s dream.